The visual appeal of this 1950s LCW comes from the interaction between grain and shape. On this ash example, the veneer is unusually expressive. Broad, flowing grain moves across the seat, back, and legs, following the molded curves of the chair. As the original finish has softened over time, the wood has taken on a warmer tone that brings even more attention to the material.
The visual appeal of this 1950s LCW comes from the interaction between grain and shape. On this ash example, the veneer is unusually expressive. Broad, flowing grain moves across the seat, back, and legs, following the molded curves of the chair. As the original finish has softened over time, the wood has taken on a warmer tone that brings even more attention to the material.
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