The LCW is often collected for its direct connection to the Eames plywood experiments of the 1940s. Early Evans Products examples are particularly sought after, while later Herman Miller production introduced subtle changes in labels, hardware, and construction details.
Collectors pay close attention to veneer species, finish condition, labels, and shock mounts, which remain among the chair's most important original components.
Literature: Charlotte & Peter Fiell, Charles & Ray Eames, Taschen, 2004, p. 120; Pat Kirkham, Charles and Ray Eames: Designers of the Twentieth Century, MIT Press, 1998, p. 145.

